Peter Herres · Field Guide
Vivid red, orange, and green rough stone in Peter's hand
Pacific Northwest · Lapidary · Field Notes

Peter Herres Field Guide

Stone. Water. Time. And whatever looked interesting enough to carry home.

Field Notes

The geology comes first

A record of places, stones, and the process of turning what Peter finds into something worth keeping. The finished object is the last chapter—not the first.

The water comes forward.
Peter Herres searching exposed rock in the fieldWhere the material begins.
Peter's working map of northwest Oregon and southwest Washington
Field Material

Carry home the strange ones

Color waits inside the rough. The first task is noticing what the river, bank, roadcut, or burned slope has exposed.

A forested river canyon and exposed rock face
Colorful stones gathered from a riverbed
Selected rough lapidary material
Same river. Different day.
The Lapidary Process

Found · Selected · Cut · Finished

Riverbed where stones are found
01 · Found

Riverbed

Selected rough material
02 · Selected

Rough material

Cut and polished stone faces
03 · Cut

Faces revealed

Finished bolo ties
04 · Finished

Bolo ties

Finished Work

Stone that kept its history

Peter's finished lapidary jewelry
Finished work with the field color still intact.
A collection of Peter's bolo ties
Polished and framed rather than disguised.
Rockhound exploring a Pacific Northwest river
In the Field

Rockhound Explorer Lapidary Artist

The work starts outside—creeks, roadcuts, volcanic country, and the geology underfoot. Always looking down, because that is where the story begins.

A huge part of why I enjoy this hobby so much is the geological knowledge I get to apply. And sharing that knowledge with people means more to me than money.